苏俄版《一九零零》。"You can't be exiled farther than Siberia."

虽然很短，但是我看里面的秦昊，齐溪，黄渤老师演的很棒，啪啪完流出了白色液体就是有点短了

Ingmar Bergman may have meant the tank rumbling down the empty night street in The Silence as a phallic symbol. But if he did, it was a foolish thought. (“Never trust the teller, trust the tale,” said Lawrence.) Taken as a brute object, as an immediate sensory equivalent for the mysterious abrupt armored happenings going on inside the hotel, that sequence with the tank is the most striking moment in the film. Those who reach for a Freudian interpretation of the tank are only expressing their lack of response to what is there on the screen.

不是霉粉，但是也经常听她的歌，看着她一步一步发福，但是舞台上仍旧充满活力。长这么大还没现场去过谁的演唱会，看着下面观众的反应，他们确实是喜欢霉霉，啪啪完流出了白色液体不是因为潮流那种喜欢，而是发自内心的喜爱。

不知道为什么想不起来你的面容。塔式恐惧，直接来自内心深处，以不死之身不断回来找寻。模糊了梦境与现实，过去和未来，塔克夫斯基这部在黑白和色彩间自由地跳跃。飞向太空是一次极端条件下心理疗愈的过程，其内核是对故土(earth)的和解和家庭的皈依。我们当下的身份存在依附于我们的记忆，而当记忆的真实性被模糊，我们当下的存在也就被动摇了。最后感觉太长了，尤其是收尾一段为了阐释显得拖沓，但日本的车载镜头深得我心。